Plaza Hotel

The Plaza Hotel in New York City is one of Manhattan’s most famous hotels and one of the most recognisable film locations on Fifth Avenue. Opened in 1907, the hotel stands at the corner of Fifth Avenue and Central Park South, facing Grand Army Plaza and the southeastern edge of Central Park. Its château-style exterior, grand entrances, Palm Court, Oak Bar and long association with New York luxury have made it a natural screen location for stories about wealth, romance, status and the city itself.

The Plaza Hotel has appeared in many films, including “North by Northwest” (1959), “Plaza Suite” (1971), “The Way We Were” (1973), “The Front” (1976), “Arthur” (1981), “Crocodile Dundee” (1986), “Home Alone 2: Lost in New York” (1992), “Scent of a Woman” (1992), “Sleepless in Seattle” (1993), “It Could Happen to You” (1994), “Almost Famous” (2000), “Bride Wars” (2009) and “American Hustle” (2013). It has also appeared in television productions such as “Friends” (1994–2004) and “The Sopranos” (1999–2007). Some films use the hotel as an elegant meeting place or luxury backdrop, while others make it central to the story. For many viewers, it is especially tied to “Home Alone 2: Lost in New York” (1992), where Kevin McCallister checks into the hotel alone and turns The Plaza into one of the film’s most memorable New York locations.

In “North by Northwest” (1959), The Plaza Hotel is used for one of Alfred Hitchcock’s key early New York scenes. Roger Thornhill, played by Cary Grant, is at the hotel’s Oak Bar when he is mistaken for George Kaplan and kidnapped by two men working for Phillip Vandamm. The scene sets the entire mistaken-identity plot in motion, using The Plaza as a place of elegance and danger rather than just a glamorous hotel setting.

In “Plaza Suite” (1971), the hotel is central to the entire story. Based on Neil Simon’s play, the film follows three separate stories connected to Suite 719 at The Plaza. The hotel is not just background here, but the title location and the structure around which the comedy is built. Its reputation as one of New York’s grand hotels adds to the contrast between polished surroundings and the personal chaos unfolding inside the suite.

In “The Way We Were” (1973), The Plaza Hotel is used for the famous scene where Katie Morosky, played by Barbra Streisand, unexpectedly meets Hubbell Gardiner, played by Robert Redford, outside the Fifth Avenue entrance. The moment is one of the film’s most remembered scenes, with the hotel serving as an elegant New York backdrop for a brief reunion between two people whose relationship has become defined by time, politics and distance.

In “The Front” (1976), The Plaza appears as part of the film’s early-1950s New York setting. The story deals with the Hollywood blacklist, and one of the scenes takes place in a suite at the hotel. The Plaza’s luxury setting contrasts with the fear, compromise and professional ruin surrounding the characters caught up in the blacklist era.

In “Arthur” (1981), The Plaza is part of the wealthy Manhattan world surrounding Arthur Bach, played by Dudley Moore. The hotel fits naturally into the film’s image of upper-class New York, where luxury hotels, expensive restaurants and inherited money define the environment Arthur is expected to belong to. Its use reinforces the contrast between Arthur’s privilege and the more ordinary life represented by Linda Marolla.

In “Crocodile Dundee” (1986), The Plaza Hotel is where Mick Dundee stays after arriving in New York. The hotel becomes part of the film’s fish-out-of-water comedy, placing an Australian bushman inside one of Manhattan’s most famous luxury hotels. Mick’s reactions to the room, the service and the scale of New York help make The Plaza one of the key locations in the film’s New York section.

In “Home Alone 2: Lost in New York” (1992), The Plaza Hotel is one of the film’s central locations. After ending up in New York instead of Florida, Kevin McCallister uses his father’s credit card to check into the hotel and enjoy an extravagant solo stay. The lobby, suite and hotel staff become major parts of the comedy, especially as Kevin tries to maintain the illusion that he is not alone. The Plaza’s luxurious image makes the situation funnier, turning Kevin’s accidental New York adventure into a child’s fantasy of unlimited room service, hotel living and independence.

In “Scent of a Woman” (1992), The Plaza Hotel appears as part of Lieutenant Colonel Frank Slade’s grand New York weekend. The hotel fits the character’s desire for elegance, ritual and old-world luxury, giving the trip a more formal and expensive atmosphere. Its presence helps underline that Frank is not simply visiting New York, but staging one last carefully chosen experience.

In “Sleepless in Seattle” (1993), The Plaza Hotel is used when Walter, played by Bill Pullman, stays there after arriving in New York. Annie Reed, played by Meg Ryan, reunites with him outside the Fifth Avenue entrance before the film moves towards its Empire State Building finale. The Plaza works as a classic romantic-comedy New York location, elegant and instantly recognisable without overwhelming the scene.

In “Bride Wars” (2009), The Plaza is central to the story because both Liv and Emma dream of getting married there. The hotel represents the idealised New York wedding venue at the heart of their rivalry. Although much of the film was shot elsewhere because The Plaza was undergoing renovation, the real hotel still defines the story’s goal and appears in the final Plaza-related material, including the Palm Court sequence.

In “Friends” (1994–2004), The Plaza Hotel appears in connection with Monica and Chandler’s wedding plans in Season 7, Episode 1 (“The One With Monica’s Thunder”). Monica has long dreamed of getting married at The Plaza, and the hotel represents the kind of perfect New York wedding venue she has imagined for herself. Even when the series mainly stays within apartments, coffee shops and studio-built interiors, The Plaza works as a real-world symbol of Manhattan romance, status and celebration.

In “The Sopranos” (1999–2007), The Plaza Hotel is used during the New York material connected to the power and wealth surrounding the characters outside New Jersey. In Season 5, Episode 11, titled “The Test Dream”, Tony Soprano arrives at and stays in this hotel during his dream sequences and meetings with his cousin, Tony Blundetto. The hotel’s luxury setting fits the series’ world of status, money and carefully managed appearances, while also placing the characters within one of Manhattan’s most recognisable high-end landmarks. Its presence gives the scene a polished New York contrast to the diners, strip clubs, homes and suburban New Jersey spaces more commonly associated with the series.

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